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Innova Art Partners With APAG for Salon de la Photo 2025

Posted on October 14, 2025 by APAG in News

Visitors to France’s Leading Imaging Trade Show Will be Able to See Iconic Images From History

Opening on October 9th 2025, Salon de la Photo is the leading photography trade show in France. Allowing photographers, videographers and content creators the chance to get hands on with the latest kit and face to face with experts in the industry. For this year, Innova Art has partnered with the American Photography Archives Group (APAG) to showcase a curated selection of work from their members. Comprised of images from the 20th Century, the display on the Innova stand (C063) will feature work from 14 photographic archives.

Visitors are invited to explore American life through a series of iconic images, depicting a collection everyday Americana and images recognised around the world. Each printed on a matched surface from the Innova range of archival inkjet media. “APAG are proud to show the immense talent and diversity of our membership,” says Mary Engel, Executive Director and Founder of APAG. “We are happy to be part of this association with Innova and hope everyone enjoys learning more about the importance of archival preservation.”

Joshua Greene is a printer who made the transition from traditional to inkjet printmaking. A longtime member of the APAG with many years experience managing the archives of his father, Milton H. Greene, he curated the selection of images for display in Paris. Working with Mary to reach out to APAG members. Carefully considering image criteria such as the quality of the scan from original negatives as well as the historical context. The image files were then optimised for printing, ready for display at Salon de la Photo 2025. Resulting in a collection that captures unforgettable moments in time from America.

The range of surfaces available from Innova spans from resin coated photo paper to fibre based baryta style and fine art papers through to archival quality canvases. All coated for use with inkjet printers. Visitors to Salon de la Photo will be able to meet with the Innova team who will be happy to help photographers find the ideal print surface to match their creative vision.

Salon de la Photo 2025 is open October 9-12th at Grande Halle de la Villette, Paris. Tickets are now available to purchase online, professional visitors can register for free entry.

Members exhibited:

Bob Gruen, Rodney Smith, Ruth Orkin, Peter B. Kaplan, Sam Shaw, Henri Dauman, Milton H. Greene, Stephanie Berger, William Helburn, Susie Fitzhugh, Saul Bromberger, Sandra Hoover, Phillipe Halsman, Harold Feinstein

Joyce Culver

Posted on August 28, 2025 by APAG in Member Profile


 

Joyceculver.com

Joyce.culver@verizon.net

Karen I. Hirsch

Posted on June 26, 2025 by APAG in Member Profile
Chinese Dance of Colors, 2007
Strolling Burano, 2022
What are the Odds, 2016

All Hands on Deck, 2006
Ronnie Earl, Chicago Blues Fest, 2016
Vibrant Movement, 2018

Karen I. Hirsch

karen@karenihirsch.com

www.karenihirsch.com

www.karenihirsch.com/visualart

Karen I. Hirsch is an international award-winning photographer and digital artist based in Chicago, Illinois. Her work spans editorial, commercial, and fine art photography, with a distinctive style that captures the essence of her subjects through color, composition, and timing.

Hirsch’s photographs have been featured in prestigious publications such as Communication Arts, Graphis, Architectural Digest, Forbes, and the Chicago Tribune. Her images are part of corporate and private collections and have been exhibited in galleries across the globe – including New York, Chicago, Los Angeles, Barcelona, Berlin and Basel.

Among Hirsch’s numerous awards was the grand prize in the Chicago Daily News/Kodak competition, best photo in an American Society of Magazine Photographers contest and grants from the Chicago Department of Cultural Affairs and the Illinois Arts Alliance.

Hirsch studied with master photographers Ernst Haas, Jay Maisel and Arnold Newman.

In 2003, the Chicago Department of Cultural Affairs hosted her solo exhibition “My Chicago,” a 25-year retrospective showcasing over 200 images of the city’s people, places, and events. In 2007, she was among ten foreign photographers invited by the Chinese government to document the city of Rizhao.

An active member of the photographic community, Hirsch serves as co-president of the Fort Dearborn-Chicago Photo Forum and is affiliated with the ASMP, the American Photographic Artists and the American Photography Archives Group.

 

 

Santi Vasalli auction on May 24th!

Posted on May 3, 2025 by APAG in News

William James Warren

Posted on April 5, 2025 by APAG in Member Profile
RFK & Ceasar Chavez in Delano, CA, USA on the occasion of Chavez’s ending a lengthy fast. A mass is being said from a flatbed truck; to the right and behind the camera. 1968 No model releases
Jimi Hendrix, Monterey Pop Festival, 1967
Mississippi State Police, Marks, Mississippi, during the Poor People’s Campaign. There was very little that this gentleman liked about me, least of all the relative immunity I enjoyed as a member of the press amongst others of the same trade.

Washington, D.C., Poor People’s Campaign, June, 1968. Photographer Jill Freedman, who wears an SCLC badge. There were a number of us who were called to spend months on the story.
Mrs. Margaret Franklyn through the screen door of her home in Marks, Quitman County, Mississippi, then the poorest county in the USA. 1968
MLK’s Funeral, Atlanta, GA, 1968. Casket being carried from the Ebinezer Baptist Church.

  • WILLAM JAMES WARREN

    William James Warren is a documentary photojournalist living in San Diego, CA.  He is currently organizing his archive at Briscoe Center, U of Texas, Austin, courtesy of APAG’s introduction.

    Visual Philosophy: “Multum in Parvo; I strive to distill the essence of what I see, feel and imagine into compelling visual form, with the greatest possible depth and economy. I seek images with a narrative, which invite curiosity and reward contemplation.” 

    Born in 1942, raised in Westchester, CA, he was the only son of Depression survivors — his senior aircraft engineer/inventor father and his office manager/wordsmith mother. Their tough love included debiting Warren’s allowance $0.10 for every use of the term: “You-Know”. Despite funds being tight, they provided him with his first 35mm camera, a modest Petrie range finder. It was the first of some dozens of cameras to follow over a sixty-year career that became his raison d’être.

    Self-educated in photography, Warren’s career officially began in 1965, as a Combat Photographer/Reporter for the PIO (Public Info Office) of the 101st Airborne Division, U. S. Army, in Vietnam, where he was a natural for the job, owning both a camera, a dictionary and a white belt in journalism. Dirck Halstead, head of UPI, Saigon, liked Warren’s meager portfolio and invited him to remain in Vietnam as a stringer, after his discharge in 1966; an honor he declined, having had enough of a war he judged un-winnable, insane and hazardous to his health.

    “I left my M-16 rifle, 200 rounds of ammo, hand grenades, behind in Vietnam, but kept my Nikon-F, per the example of Gordon Parks’ ‘A Choice of Weapons’. I had been raised on a diet of John Steinbeck and Life Magazines. My (virtual) tutors were W. Eugene Smith, Dorothea Lange, et al of the Farm Security Administration school. I channeled them all subconsciously in obedience to a spiritual calling to witness and record my impressions of the history unfolding around me. 

    “Forget Depth of Field, seek Depth of Feeling” became my mantra and theme song, with the words ‘Truth to Power’ worked in.”

    On his return to California, he began freelancing, driven to record the Anti-War, Counterculture & Civil Rights Movements of the ’60s and ‘70s. His plan to return to college was derailed as assignments consumed his energies.

    Warren’s broad interests and empathetic eye led him to his many subjects, and clients, as diverse as: ACLU, L.A. Philharmonic Orchestra, Suicide Prevention Center, Constitutional Rights Foundation, Charles Drew Medical School, Psychology Today, Office of Economic Opportunity (OEO), Center for Democratic Institutions, Santa Barbara, CA. His exposure through the L.A. Free Press and UPI, attracted the New York press. His early editorial clients include: United Press International, Los Angeles Free Press, L. A. Times – West Magazine, Associated Press, Newsweek, Time, Life, LOOK, Psychology Today, Canadian Broadcasting Corporation, et al.

    Influenced by the cinéma vérité work of Frederick Wiseman, Warren used a cover story in Newsweek on Abortion to sell his first half-hour documentary to CBC. The film, aired on CBC Weekend, influenced legislation in Canada & US, leading to Roe v. Wade. That film’s success led to ‘Thank You Jesus’, a half hour vérité documentary on Pentecostal ‘Jesus Freaks’, who at the time were busy recruiting lost youths on Hollywood Blvd and baptizing them in the surf of Venice Beach, subjecting them to rape and other abuses.

    After LOOK’s final demise in 1979, Warren began shooting for organizations and corporations: NASA – Jet Propulsion Laboratory, Lockheed, Northrop, Fluor, National Semiconductor, Gladstone (Medical) Institutes, Agrigenetics, NYSE, NJ&NY Port Authority, and many others.

    Introductions to legendary graphic designers Robert Miles Runyan, James Cross, John Grissom Divers and Saul Bass, opened the gold mine of the Corporate Annual Report. Assignments paid magnitudes more than editorial and yielded round-the world tours in the bargain. For Warren, the the line between work and play ceased to exist.

    Surfing this wave, Warren met Charles O’Rear, renowned National Geographic photographer, who invited him to join the Westlight Stock Agency, where Warren quickly rose to the upper 10% of earners. Craig Aurness, Westlight’s owner, invented the stock photo catalog, catapulting the stock business into a career in and of itself. Thousands of licenses have been issued for reproduction of Warren’s work, globally, in all fields of media and publishing.

    Awards include: American Institute of Graphic Arts, Eastman Kodak, Fuji, Communication Arts, Graphis, Art Direction, Graphic Design, USA, Financial World, Print Magazines; New York, Western and Los Angeles Art Director’s Clubs.

    Warren’s work is included in the permanent collections of the J. Paul Getty Museum and the Museum of Photographic Arts, San Diego, CA. One of his portraits of Jill Freedman graces the cover of the APAG Handbook, selections of his work are currently available at Alamy.com.

    Web Portfolio:  williamjameswarren.com
    Contact:  will@williamjameswarren.com

David Lubarsky

Posted on February 12, 2025 by APAG in Member Profile
Revolving Doors, 50 Rockefeller Plaza, 1973
Mother + Son, Grand Central Terminal, 1978
Lone Man, Staten Island Ferry, 1978

Rites of Passage, 1977
Mosaic Subway, 1985
The Conversation, 1977

david@davidlubarsky.com
http://www.davidlubarsky.com
 
BIO:
With over four decades of experience, native New Yorker David Lubarsky has been working as an independent assignment photographer creating inspired images of accomplished professionals & their working environments for the editorial, media, corporate & fine art markets.
His work has been published in numerous consumer & trade publications, corporate annual reports, websites & social media platforms.
David’s ongoing photo essay “In Transit” depicting the urban commuting cultural landscape has been widely exhibited in the New York metropolitan area.
His first solo exhibit was funded by a grant from MTA/Arts for Transit Lightbox Series at Grand Central Terminal, followed by a traveling solo exhibition entitled “Mobility Matters” commissioned by MetroPool Inc. and the New York + Connecticut Department of Transportations.
Five of these images have been part of the permanent collection of the Museum of the City of New York since 1983.
David holds a BFA in photography from the School of Visual Arts and a AAS in photography from Fashion Institute of Technology, studied with renowned photographers Julio Mitchel, Todd Watts, Sid Kaplan & Irving Schild.
 
Artist Statement:
“Motivated by the mid-century social documentary movement in photography, my perpetual interest in pursuing the urban cultural landscape provides a loose emotional structure & visual canvas to celebrate the crossroads of the human experience.
-Although the tools of photography continue to evolve with new technologies, my visual objective remains the same; with each decisive moment, I deactivate the clock & preserve my distinct perception of time & space.”
Website:
www.davidlubarsky.com
Email:
david@davidlubarsky.com

Ave Pildas

Posted on December 6, 2024 by APAG in Member Profile
Black Beach Boyz
Coltrane
Nina Simone

Pix
Power to the People
LAX STOP

Ave Pildas

avepildas.com

avepildas@gmail.com

Whether photographing jazz greats in smoke-filled clubs, the gritty theatrics on infamous

Hollywood Boulevard, or the spontaneous interactions between people and animals at

locations worldwide – Ave Pildas offers a rich and diverse survey of contemporary life.

Ave began his arts education as an architecture student, designing department stores, and

government and medical buildings. Before long, this path felt too conservative and

constricting, so he changed majors to design. Creating products, packaging, and graphics

provided enough diversity to seem like “complete freedom” at the time. Concurrently, Ave

was designing exhibits, displays, graphics, and publications for the Cincinnati Public

Library. After studying at the University of Cincinnati and graduating from the Cincinnati Art

Academy in 1962, Ave headed east to Pittsburgh, where he worked designing collateral for

U.S. Steel, Alcoa, Pittsburgh Plate Glass, Koppers, and Westinghouse. At Westinghouse, he

met renowned graphic designer Paul Rand.

With encouragement from Rand and well-known typographer Noel Martin, Ave traveled to

Switzerland and enrolled at the Kunstgewerbeschule, studying typography and graphic

design during the Cold War. As a student, he visited every country in Europe and parts of

North Africa, often by car. It was at this time that Ave set the lofty goal of “raising the visual

conscience” of the world, and, at the conclusion of his studies, accepted a position as

assistant professor at Philadelphia College of Art, now the University of the Arts in

Philadelphia. Since then, he has taught at Layton School of Art, Leicester Polytechnic in

Britain, Cal Arts, Art Center College of Design, UCLA, USC, as well as Otis College of Art

and Design, where he served as Chair of the Communication Arts Department. He is

currently Professor Emeritus at Otis.

Ave has been taking photos that combine his observational ability with his prowess as a

designer for over fifty years. His photographs have appeared in national and international

publications. Many of his images of Hollywood Boulevard from the 1970s are represented

in the permanent collections of the Los Angeles County Museum of Art and the New York

Public Library, and appear in Ave’s latest Monograph, Star Struck (2022, Deadbeat Club

Press). Three other books of his photographs have been published previously: Art Deco LA

(1978, Harper & Row), Movie Palaces: Los Angeles (2000, Clarkson Potter), and Bijou (2016,

Nazraeli Press).

 

Ernest Stone

Posted on November 15, 2024 by APAG in Member Profile

 

Untitled – Paris, 1976
New York A to Z – T, New York, 1975
New York A to Z – Q, New York, 1975

Political Posters – Elect. New York, 1974

 

ERNEST STONE | 1918-1992

erneststone.com

Contact Melissa Berman at erneststoneart@gmail.com

Ernest Stone was a very public figure in New York City in the ‘60s, ‘70s and ‘80s —

a top 40 disc jockey with WMCA, broadcast personality on WNET Channel 13, actor,

and founding member of Off Broadway’s respected repertory company New Stages.

But privately, he led a second creative life, as a photographer. Walking miles each day

through the neighborhoods of NYC, he was an intrepid chronicler of a city in a time of

transition and upheaval, on the razor’s edge between the classical and the modern.

For two decades, Stone, who was born and raised in Flatbush Brooklyn to immigrant

parents, explored his adult home of Manhattan capturing the landscape, politics,

counter-culture and people. He also experimented in abstracts, still life, and a

personal study of the shifts in a post-war Europe.

Except for a one-man show at the Rina Gallery in 1974 (entitled “New York A to Z”), Stone

eschewed the business side of fine art, preferring to keep his work almost entirely private.

Just before his death in 1992, he told his niece he was “ready for my work to be out in

the world.” Today, she is working with Augusta Edwards Fine Art to present his story and

his extensive archive, including a series of collages that supplement his photography in

intriguing ways.

Erwan Illian

Posted on September 6, 2024 by APAG in Member Profile
Brothers. CBGB’s.
Le retour après une longue nuit, Paris, winter 1973/74
Legs. CBGB’s.

Sous pression, Paris métro, winter 1973/74
On fire. CBGB’s.
Le poil de la bête, Jardin des Tuileries, Paris, winter 1973/74

Erwan Illian was an amateur photographer in the 70’s.
As he traveled to Paris, then later to the American South, landing finally in New York City in 1978, Photography was a way to discover the new world around him. Even though he never made a living as a photographer, he continued to pursue it “on the side” until he eventually stopped in 1982. Later he moved to Northern California and became a cabinet-maker.
He is now looking for ways to preserve and present some of that work, while working on a book around photos taken at CBGB’s circa 1979/1982.

 

 

 

 

 

APAG members in group show at National Arts Club

Posted on May 26, 2024 by APAG in News
Hank Gans
Cynthia Dantzic
Paula Barr

APAG members Paula Barr, Cynthia Dantzic and Hank Gans have photographs and artwork in the 32nd Annual Roundtable Exhibition in the Trask Gallery at the National Arts Club. The exhibition opened on May 23rd and runs through June 28th.   

 
Paula, Cynthia and Hank are having a viewing in the Trask Gallery at the NAC for APAG members and their guests on Tuesday, May 28th from 1 to 3PM followed by beverages in the National Arts Club parlor afterwards. 
 
Cynthia Dantzic also has an artwork in the Exhibiting Artists Members Exhibition in the National Arts Club East and West Galleries which is also open to APAG members visiting on the 28th. 
 
The address for the National Arts Club is 15 Gramercy Park South. We hope to see you there! 
 
Please RSVP hank@hankgans.com. 
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